Thursday, 10 October 2013

Marginalia: From John Rylands Library Special Collections Blog

Interesting,  well written and well illustrated blog about marginalia by John Hodgson from  John Rylands Library at The University of Manchester.

Tutte l'opere di M. Giulio Camillo Delminino (Venice: Gabriel Giolito de'Ferrari, 1565-67), p. 304. Christie Coll., 4 d 31. Copy owned by the editor, Tommaso Porcacchi.
A couple of public close-up sessions recently have prompted these random musings on marginalia – the text and images that occur in the margins of manuscripts and printed books.
Today we don’t encourage students to mark our books in any way, but a whole academic industry has developed around historical marginalia and what they can tell us about how books were used, and how readers have engaged with books (and each other) over generations.

We can analyse and classify marginalia in various ways: text versus imagery; contemporary decoration and annotation as opposed to later additions. However, one of the delightful aspects of marginalia is that they defy easy categorization. While some forms of marginalia were clearly planned, if not executed, by the original scribe or printer, the process of book production in manuscripts and early print cultures did not have a clear cut-off point: it was customary to decorate early printed books, for example, and the transition from production to reception was gradual and ambivalent. Likewise, it is not straightforward to differentiate text and imagery. MORE

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