There is a well known anecdote about how Helen Douglas wanted to produce a scroll as an app to accommodate The Pond at Deuchar. Apple refused (!) the idea, because the app did not include any more functions than scrolling the scroll (!).
Eventually the app for this artist's book was born and the pond can be enjoyed online
HERE. It is a beautiful conversion from one medium to another, that maintains the original fluidity and depth of immersion. In fact, the experience of the digital scroll excels as submersion into the work due to the level of detail that zoom option provides.
For comparison, here are a few more digitalised scrolls (by academic institutions, mainly):
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Lake Zhiyang and the Eastern Lake 1663
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There
is a phenomenal incentive from the Center for the Art of East Asia at
the University of Chicago - they now uploaded online a library of digitised Asian scroll paintings. What a resource!
The Center for the Art of East Asia initiated the Digital Scrolling
Paintings Project to support the teaching of classes on East Asian
painting. The temporal and spatial qualities of handscroll paintings are
lost in photographs of selected sections that are reproduced in books
and projected in the classroom. Although used widely in current art
education and the study of these works of art, such reproductions
seriously distort the nature of handscrolls by erasing their sequential
anad participatory viewing process. The display of these paintings in
long cases in museums also is not the way in which these paintings were
made to be experienced. With the assistance of the Humanities Computer
Research Department, the Center developed a prototype for digital
scrolling technology as an exciting tool to simulate the viewing
experience and to improve understanding of handscroll paintings.
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Dead Sea Scrolls |
In 2011 Google and Israel Museum in Jerusalem uploaded the oldest known biblical manuscripts Dead Sea Scrolls online in a high-resolution format, so they become available to all everyone (with a reliable and fast internet connection, that is).
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Ripley Scroll (1477) |
Ripley Scroll (1477) has been scanned-in as a very VERY hi-res very long photo and uploaded online: a delightful level of detail, that can otherwise be only enjoyed with a magnifying glass. In simple terms, it is an alchemical manuscript that shows in pictorial
cryptograms the production of the philosopher's stone (the elusive
ingredient that produces incorruptible gold out of lesser metals; and/or
the elixir of life). A very detailed description of the scroll is on
BibliOdyssey (among numerous other treasures that can be found there).
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Artist unknown, Trip to Town (London: William Sams, 1822). Box embossed: E.P. Sutton & Company; Sangorski & Sutcliff. GA 2005.01039 |
And finally, here is this charming Georgian device Trip to London that has been digitised by Princeton University. It is a box with a twelve plate scroll that contains a story about a very unfortunate honeymoon journey to London by a recently married Mister O'Squat and the Widow Shanks.
Here is a
POST from Booktryst (June, 2013) about the scroll, including this very interesting snippet of information.
It is not found in Tooley or Abbey, has no copies recorded by OCLC/KVK
in institutional holdings worldwide, no copies at auction since ABPC
began indexing results in 1923, no copy in the collection of the British
Museum, nor is it found in the annals of our sister TV series, Divorce Court. It is an incredibly scarce item, as rare as a Taylor Swift long-term relationship.